A bestseller in France since its publication in 2009, Frédéric Gros’, A Philosophy of Walking has recently been released as an English translation by Verso, billed as an “insightful manifesto” on walking. The book charts Gros’ reflections on walking, but also considers walking as a practice in the lives of great thinkers such as Nietzsche, Rousseau, Thoreau and Rimbaud. Following on the coat tails of the recent renaissance in walking as a critical and literary subject, this book steps into the growing “genre” of literary walking, represented by the writings of Rebecca Solnit, Merlin Coverley, Robert Macfarlane, W.G. Sebald, which have been very well received by readers over the past few decades.
Publishers know the popularity of this type of writing, but the reasons behind this genre as a cultural phenomenon have been given very little serious consideration. It is perhaps to give credence to a critical examination of walking as a literary trope, and philosophic mode, that I turned to Gros’ book. In it I hoped to find in it both the rambling poetics of W.G. Sebald, but also an analytical framework which would illuminate why discussing the act of walking is important. But, while titled “a philosophy”, I found the book more a dawdle than a march. Its prose limp and saccharine, often repetitive, and overall a waste of time. This might sound overly harsh, but the tautological style of this book often makes it exasperating to read. To give a good example, Gros writes, Continue reading “Review: A Philosophy of Walking by Frédéric Gros”